Rudyard Kipling’s short story “Baa Baa, Black Sheep” was published in 1888, and its origins are, sadly, autobiographical. It tells of young siblings Punch and Judy, who live a happy, near-carefree life in India with their young, loving parents—until it’s time to go Home.
First the idea of going Home must be introduced. Neither Punch nor Judy (several years younger) really understands—and certainly they don’t understand they will be left there. The story is told from Punch’s perspective, and he doesn’t really understand “Mamma’s passionate appeal to him never to let Judy forget Mamma,” though he promises to do his best on this front. When Papa and Mamma have actually left the two children at Downe Lodge, the foster home where they will spend the next several years, Punch and Judy are bereft.
When a matured man discovers that he has been deserted by Providence, deprived of his God, and cast, without help, comfort, or sympathy, upon a world which is new and strange to him, his despair, which may find expression in evil-living, the writing of his experiences, or the more satisfactory diversion of suicide, is generally supposed to be impressive. A child, under exactly similar circumstances as far as its knowledge goes, cannot very well curse God and die. It howls till its nose is red, its eyes are sore, and its head aches. Punch and Judy, through no fault of their own, had lost all their world. They sat in the hall and cried; the black-haired boy looking on from afar.
Claire, who is young and impressionable—and easier to forget Mamma—quickly becomes a favorite of foster mother Aunty Rosa, who frankly despises Punch and makes him into a household scapegoat. The formerly spoiled young Sahib now finds himself caned for no offense at all, berated with Aunty
Continue reading “We are only one case among hundreds”
I don’t like to say that “the work project is under way,” or that it’s gotten under way, since my last week’s post on it, because really the work project was always under way—or at least, it has been for several years. It’s just one of those things that I notice when I read, which is probably, of course, why I thought about doing a “project” on it to begin with. But I have dug in. To some work, you could say.
Anthony suggested the anthology of short stories edited by Richard Ford Blue Collar, White Collar, No Collar, a volume that had been on my shelf for several months, making me feel rather guilty for not working on this project in earnest sooner. I hoped it would give me some ideas for further reading at the very least*, so I started in on it shortly after writing my description of the project. I have read the first six stories: “Business Talk,” by Max Apple; “The Gully,” by Russell Banks; “Me and Miss Mandible,” by Donald Barthelme; “Unjust,” by Richard Bausch; “The Working Girl,” by Ann Beattie; and “Zapatos,” by T.C. Boyle.
Of these six, two show absolutely no work—in “Unjust,” a sheriff is accused of sexual harassment and the story follows his difficulties at home while he’s on administrative leave, and “Working Girl” gallops away from work as quickly as it can and into what one might call “the rest of life.”
In a third story, “Me and Miss Mandible,” Miss Mandible is at work during most of the present action of the story, but she’s teaching the narrator, which is at the very least an unusual depiction of work.** There is also some reference to the work the narrator used to do, though only in very general
Continue reading “Is it true what you told me jest now, that you never done a hand’s turn o’ work in all your born life? Must feel kinder awful, don’t it?”
Melville House has, it seems, chosen Bartleby the Scrivener as a kind of flagship novella for their Art of the Novella series, and Frances is going to start off with that title. I’ve decided on another one for my own kickoff that I think works very well because it is both marvellous and positively chilling: Rudyard Kipling’s The Man Who Would Be King.
The narrator of this novella is an English newspaperman in India, traveling to Mhow in an Intermediate compartment—not a very nice way to travel at all. There he encounters a fellow countryman, “a wanderer and a vagabond like myself, but with an educated taste for whiskey.”
He told tales of things he had seen and done, of out-of-the-way corners of the Empire into which he had penetrated, and of adventures in which he risked his life for a few days’ food. “If India was filled with men like you and me, not knowing more than the crows where they’d get their next day’s rations, it isn’t seventy millions of revenue the land would be paying—it’s seven hundred million,” said he; and as I looked at his mouth and chin I was disposed to agree with him.
This man will ask a favor of the narrator, a favor the narrator will be disposed to carry out for reasons that may appear mysterious to the reader. They find out through the use of passwords (and likely through other means mysterious to me as well) that they are both Masons, and thus the narrator is obliged to carry a message to the man’s friend, who will be passing through Marwar Junction in eight days: “He is gone South for the week.”
That might have been the last the narrator saw of either man. He decided to turn respectable,
Continue reading The Man Who Would Be King by Rudyard Kipling